GLASS has returned. The man and the music, into my psyche and out of my fingers and mouth. I can’t say any more at present, but I’ll try to get you all up to speed as soon as I can get my head round the past 11 years.
…But, it’s that magical chemistry that results from the clever lyrics and bizarre arrangements, that will make you feel like you just can’t help but admire the ingenuity and abandon that Glass brings to the fore.
– Lisa Torem
Read the full review here
“There is a fine line between artistic merit and pretension, and on paper a debut concept album, inspired by the life of a 19th Century inventor most listeners will never have heard of, slides firmly over to the latter side of the scale. This is one of many reasons why music can never be judged on paper. ‘The Sound of Glass’ is a gripping and exquisite blend of post-punk and dark pop akin to current NME darlings The Horrors that is sure to storm the mainstream. This is an album of ballads in the purest sense of the word, an all-too-brief collection of seven tales that will take you out of the mundane realities of your day to some kind of dim and distant dream state, crisply produced and artfully arranged without stretching any structural boundaries – indeed, there is nothing overtly complex here. Herein lies the beauty of ‘The Sound of Glass’ – too fey for those with heavier tastes, but a batch of songs that can provoke such an emotional response while still providing hummable and memorable rhythms without any real visceral impact is to be applauded.”
– Greg Porter
“This album was inspired by the inventor from the 19th Century, Anthony Philip Glass. He apparently invented a machine that could transmit sound through time. This is quite an apt title for an album that actually sounds like it has fallen through time from an unspecified decade. ‘Driftwood’s Daughter’ kicks the album off in a crisp indie style, not particularly dark or alternative but good all the same. What is immediately apparent is what a great voice vocalist Alexander King has. ‘Without’ is a much darker track and the bands Post Punk influences become more apparent with a bit of White Lies thrown in for good measure. ‘This Odyssey’ is a rocking little number that is on your free covermount CD. ‘Nothing in the World’ is a track which starts quite sorrowful and then gradually builds into something much more powerful and rocky. The next track ‘When the Rain Falls’ is probably the darkest track on the album. Alexander gets a chance to show off his impressive vocal range with some intelligent lyrics and a catchy but emotional chorus. ‘The Last Transmission’ has a different feel in that it sounds like poetry set to music if that makes sense, and ‘My Elan’ sees the album end in a quite Punk/Deathrock fashion. This is a band that definitely has mainstream potential as well as alternative appeal, but still manages to pull off that tricky task of maintaining a style all of their own.”
– Mark Smith
Martyn Rudd of Screaming Tarts magazine has kindly published an interview with me discussing my research into Anthony Glass, and the music that has been created as a result.
I’ve been researching the life of Anthony Glass for over a year, and so far I’ve got more questions than answers. A bizarre collection of coincidences, synchronicity and luck, or are there larger forces at work?
Since the album launch I’ve had more time to start filing and organising the resources I’ve managed to lay my hands on so far. It’s a baffling jigsaw puzzle of first, second and third hand reports about a mysterious man who might never even have existed – at least in any way we would recognise. I’ve been taking copious notes in a bid to get my thoughts in order and have managed to transport a good carload of papers and documentation back to my home where I can start putting the known facts in some kind of context.
Which are the most pressing questions? Well, the death of Glass Snr. is obviously a key event – and Colonel Van Riper’s involvement in it. There’s much to learn about the lives of both men which I think could lead to some kind of answer as to how Edward Glass died and who was responsible. The machines, both full sized and portable – what happened to them? Was Anthony Glass a clever hoaxster, as his father was purported to be? And what of Anthony’s mother, Edward’s wife – the trail rapidly goes cold once Anthony is sent away following his father’s death (murder?).
And bringing us up to date – how do the cassette tape, the discovered video recording and the business cards people report finding fit in? Am I the subject of an extension of the Glass myth? Is someone mocking me, and if so – why? All I know is, I must find answers. Anthony Glass and his peculiar story are seeping into my life, my work, and the music I produce to the point where I wonder how much of it I’m in control of.
After spending some time at York public library, searching the microfiche archive for anything relevant, I came across this disturbing account.
A demonstration at the City Art Gallery, Exhibition Square, York took a tragic turn last night as a young inventor’s demonstration went badly wrong.
Anthony Glass, 43, of Holborn, London was undertaking the latest speaking engagement in what was planned to be a national tour when the malfunction occurred. Mr Glass has become quite infamous for his ‘talking box’ through which, he claims, sounds from the future can be heard.
Dr. David Peters from Huntington, York was an eyewitness to the events. “I attended with my wife as we have read accounts of Mr Glass’ life and works through specialist publications for many years. We were very much looking forward to hearing him speak as although his detractors are most vocal we were staunch supporters of some of his more outlandish theories.”
Dr. Peters continues; “We arrived at 7pm and were seated by ushers dressed in black, which we thought unnecessarily melodramatic. At 7.30pm or thereabouts Mr Glass took to the lectern and began to extol the virtues of his ‘Portable Machine’. In fact, beneath a thick cloth by his side lay the very machine itself and the sense of excitement in the room was palpable as we reached the climax of his most animated monologue.”
Other eyewitnesses to the event concur that Mr Glass seemed irritable and distracted through the course of his presentation, often mopping his brow with his handkerchief and pausing as if to gather his breath on frequent occasions.
When the machine itself was revealed, Dr. Peters recounts, an audible gasp was heard. “It was an otherwise normal looking device, approximately the size of a typewriter, with a series of fins along the top, and some gauges and bulbs along the front. A flexible hose led to the floor, one would assume to vent waste matter of some kind. With a flourish, Mr Glass announced he was about to start the machine and we should watch very closely as sounds and images from the future were to be played to us before our very eyes.”
“Mr Glass turned a series of handles and almost instantly a horrible wailing filled the room. People seemed unsettled by this, and indeed Mr Glass appeared taken aback. The noise grew louder and wisps of smoke appeared from the device’s fins – at this point people had stood up and wanted to leave, but the black-clad ushers firmly pushed them back into their seats. My wife started to cry and I was getting increasingly angry. Mr Glass was trying in vain to switch the machine off, but the wisps of smoke had become seemingly more solid and were conspiring to remove his hands from the handles of the machine, raising visible welts on his arms as they did so”.
“The cacophony and stench emitting from the machine at last became too much to bear, and the director of the City Art Gallery, a sturdy man by the name of Milton, released us all from this torment by taking a chair and smiting the machine repeatedly until it lay still and silent. Mr Glass had been reduced to a weeping, shaking shell of a man cowering in the corner of the raised stage area and was led backstage by some of the ushers. The doors were opened and everyone fled.”
Sadly, this is not the end of this strange tale – Christina Terry, a six-year-old attending with her family was found to be in a catatonic state under her chair and at the time of going to press cannot be roused.
Mr James Milton, director of the City Art Gallery, was not available for comment at this time.
Since my posting of 19th June, regarding a charred damp business card I found in a corner of the storage room where I’m currently finding snippets of information, seven people have contacted me. Some through the comments section of this site, some directly through email. All are reporting the same thing – that they’ve found a very similar looking business card while going about their daily life -Â in a bar, a record shop, and in one case in the bottom of their handbag.
“I was in a cafe in Bristol, I went to pay the bill and one of these cards was on the counter. I picked it up because I couldn’t understand what it meant??”
“Watching a band in York and one of these was on the table. Had this web address on it”
“Looks like your guy was in Newcastle bud – I found one of these cards inside a second-hand CD I bought off the market”
“My girlfriend brought one of those cards home unwittingly inside a local music mag”
“Clearing out my handbag, this was in the bottom. No idea how it got there, some kind of prank?”
“Got given one of these in the street by a Big Issue seller, was too confused to ask why!”
“Yup found one of these cards on a bar stool in Leeds”
It looks like someone is playing games, possibly with me, or maybe I’m just an observer. Either way it looks like AP Glass is among us.
Please continue to report anywhere you find one of these cards and give as much information as possible, time, dates etc.
Firstly please forgive me the brevity of this missive. You know I have always respected you but I fear you are testing the boundaries of our friendship with your continual insistence on my son’s participation in your military research. My reasons for denying your request remain unchanged. The boy has no inkling at all of the scope of his skills. Indeed, I still convince him that it was I that supplied the plans for the great machine. If he were to realise that he himself drew them while in some kind of mesmeric stupor, I fear he may start to lose his mind. Anthony is remarkably mature and well-balanced in his demeanour considering how uncommon his daily life has turned out to be and I do not want to jeopardise his mental welfare further.
I hope you do not take me for less of a patriot or proud Englishman, rather a concerned and loving father attempting to nurture and protect his only son at a very crucial stage in his development.
I would welcome a visit from you to discuss this face-to-face but I implore you not to bring your “security” personnel. Their presence during your last visit was unnecessarily distressing to my wife and most intimidating.
Once again I hope you can understand my position in this matter.