Tag: malfunction

After spending some time at York public library, searching the microfiche archive for anything relevant, I came across this disturbing account.

A demonstration at the City Art Gallery, Exhibition Square, York took a tragic turn last night as a young inventor’s demonstration went badly wrong.

Anthony Glass, 43, of Holborn, London was undertaking the latest speaking engagement in what was planned to be a national tour when the malfunction occurred. Mr Glass has become quite infamous for his ‘talking box’ through which, he claims, sounds from the future can be heard.

Dr. David Peters from Huntington, York was an eyewitness to the events. “I attended with my wife as we have read accounts of Mr Glass’ life and works through specialist publications for many years. We were very much looking forward to hearing him speak as although his detractors are most vocal we were staunch supporters of some of his more outlandish theories.”

Dr. Peters continues; “We arrived at 7pm and were seated by ushers dressed in black, which we thought unnecessarily melodramatic. At 7.30pm or thereabouts Mr Glass took to the lectern and began to extol the virtues of his ‘Portable Machine’. In fact, beneath a thick cloth by his side lay the very machine itself and the sense of excitement in the room was palpable as we reached the climax of his most animated monologue.”

Other eyewitnesses to the event concur that Mr Glass seemed irritable and distracted through the course of his presentation, often mopping his brow with his handkerchief and pausing as if to gather his breath on frequent occasions.

When the machine itself was revealed, Dr. Peters recounts, an audible gasp was heard. “It was an otherwise normal looking device, approximately the size of a typewriter, with a series of fins along the top, and some gauges and bulbs along the front. A flexible hose led to the floor, one would assume to vent waste matter of some kind. With a flourish, Mr Glass announced he was about to start the machine and we should watch very closely as sounds and images from the future were to be played to us before our very eyes.”

“Mr Glass turned a series of handles and almost instantly a horrible wailing filled the room. People seemed unsettled by this, and indeed Mr Glass appeared taken aback. The noise grew louder and wisps of smoke appeared from the device’s fins – at this point people had stood up and wanted to leave, but the black-clad ushers firmly pushed them back into their seats. My wife started to cry and I was getting increasingly angry. Mr Glass was trying in vain to switch the machine off, but the wisps of smoke had become seemingly more solid and were conspiring to remove his hands from the handles of the machine, raising visible welts on his arms as they did so”.

“The cacophony and stench emitting from the machine at last became too much to bear, and the director of the City Art Gallery, a sturdy man by the name of Milton, released us all from this torment by taking a chair and smiting the machine repeatedly until it lay still and silent. Mr Glass had been reduced to a weeping, shaking shell of a man cowering in the corner of the raised stage area and was led backstage by some of the ushers. The doors were opened and everyone fled.”

Sadly, this is not the end of this strange tale – Christina Terry, a six-year-old attending with her family was found to be in a catatonic state under her chair and at the time of going to press cannot be roused.

Mr James Milton, director of the City Art Gallery, was not available for comment at this time.

Firstly, apologies once again for the delay in getting this update online. Partially this has been due to my continuing computer issues – despite upgrading to an Apple Mac, any attempt to record music in my studio is crippled by this “crosstalk” or interference I’m experiencing. I’ll try and post an example so hopefully one of you might be able to shed some light on a possible solution?

My research has continued, albeit slowly. For the most part I’m trying to determine the real story behind Anthony Glass’ fathers death. A shred of newspaper I’ve found in the bottom of a suitcase seems to report that Maurice Van Riper at the time of his acquital not only claimed his innocence but also asserted that he’d never even met Glass Snr. At the moment, I’m unsure if this was just a clever defence from the Colonel, or if Edward Glass was using people he was aware of in society at the time to bolster his fantasies.

My second main avenue of investigation concerns the machine itself – I’m assuming it must have actually existed as Anthony Glass mentions it in his journals throughout his life, even in his published “confessions”, when he would undertake speaking engagements with the sham portable version of the contraption.

Thirdly, I’m desperate to find out about the incident in York, UK where a routine execution of the portable machine somehow malfunctioned with what I take to be very grave circumstances. The original journal entry (posted here a few weeks ago) infuriatingly cuts off before AP Glass can give specifics, but so far I’ve not found any documentation after that date that mentions speaking engagements, or any public activity at all. I believe Glass did spend a considerable portion of his life in seclusion, it’s possible that the “York Incident” is what triggered this.

I’m continuing my fact-finding to the best of my ability, but I would appreciate any help the readers of this site could give me. Any clues, no matter how small and insignificant they seem, may be crucial.

Just a quick note to apologise in advance for any delays in updates, I’ve recently been having a lot of problems with the computer I write this journal on. Coincidentally it’s also my main recording studio computer, and over the last few weeks I’ve had problems with some kind of interference overwriting music I record with static and what almost sounds like muffled voices.

Occasionally, while writing documents, seemingly random characters insert themselves which is most irritating.

I’m sure both the audio and visual glitches are just the usual technological hiccups, but please bear with me while I resolve them.

Sifting through the loose leaves of the water-damaged journal, it’s hard to put them into a great deal of context. However, I discovered this snippet which may give some insight into the video and audio I’ve come across over the past few weeks.

January 3rd

Our initial test-run of the apparatus had a most alarming malfunction tonight. Indeed, father’s hands were severely scorched but as always he refuses to call for the doctor, and mother is most upset. We had begun a test transmission but something wasn’t right – the meters were most erratic and certain flues were not up to the requisite pressure, despite many thorough tests. Father insisted we inserted the first punch card and so I obeyed as always, fearing his ire.

There was a huge groaning noise from the very belly of the machine, the like of which I’d never heard before. I saw a crack appear in the second main bellow and some of the mountings began shaking violently. I moved to pull the lever back, to return the machine to a docile state, but father told me sternly to stand back and do nothing.

Suddenly, the first cathode-ray bulb started to show images and landscapes that were totally alien to us, cogs and machines, vertical and horizontal stripes as though laid out by a draughtsman, but terribly distorted. Worst of all, sound was coming from the horn that we had not entered into the machine. It was deafeningly loud, like waves crashing rhythmically on some infernal beach, or a ship of the dead rowing to the beat of a hellish drum. I was terrified, but as soon as it had started, the second bellows finally split and pressure was wholly lost. The machine wheezed to a halt, the cathode-ray dimmed and the horns once again fell silent.

Father had few words to say after the event. He postulated it was some kind of feedback loop – something coming back down the line that shouldn’t have. He had no notion of the destination of the test message due to the inaccurate pressures, and hence we knew not from whence the feedback came. I did not sleep tonight.

Page ends.